1672-8505

CN 51-1675/C

论鸳鸯蝴蝶派小说入文诗词的叙述功能——以民初小说《玉梨魂》与《雪鸿泪史》为个案

On the Narrative Function of Poems in Mandarin Duck-and-Butterfly Novels——Analysis of YuLiHun and XueHongLeiShi in Early Republic of China

  • 摘要: 《玉梨魂》与《雪鸿泪史》是民初鸳蝴派小说的代表作品, 其共同点都用了以诗词入文的叙述形式。这种叙述形式在演进中不断地发展。从明传奇的“附赘累牍”到清初才子佳人小说的“以诗为媒”, 直至《玉梨魂》与《雪鸿泪史》, 入文诗词开始承担起传达人物情绪体验的叙述功能。这种叙述形式既源于古代文学传统, 又适合小说中旧礼教下才子佳人情感表达的身份需要, 徐枕亚将其发挥到了极致。但这种叙述形式历来为新文学家们所诟病, 这就需要重新审视原有的评价标准。

     

    Abstract: YuLiHun and XueHongLeiShi are the representatives of the School of Mandarin Duck-and-Butterfly novels in the early times of Republic of China.Both of them are featured with the narrative form—citing poems into text.This narrative form continued developing in the evolution from the Legend of Ming Dynasty as an attachment in text, the scholar-beauty novels of early Qing Dynasty as a medium, to the novels of YuLiHun and XueHongLeiShi, in which poems began to assume the function of conveying emotional experience in the novels.This narrative form derived from the ancient literary tradition, and fit for the emotion expressing of the scholar-beauty's status in the Confucianism.Xu Zhenya played his form in perfection.But it has constantly been criticized by New Literature writers later, which brings re-examination of original assessment criteria into consideration.

     

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