1672-8505

CN 51-1675/C

冯斯我, 王毓红. “7”“十”“卐”的原始物像:欧亚草原天鹅岩画图像语言解析[J]. 西华大学学报(哲学社会科学版), 2018, 37(6): 21-31. DOI: 10.19642/j.issn.1672-8505.2018.06.004
引用本文: 冯斯我, 王毓红. “7”“十”“卐”的原始物像:欧亚草原天鹅岩画图像语言解析[J]. 西华大学学报(哲学社会科学版), 2018, 37(6): 21-31. DOI: 10.19642/j.issn.1672-8505.2018.06.004
FENG Si-wo, WANG Yu-hong. The Original Image of "7", "十" and "卐":The Language Analysis of Swan Rock Paintings on Eurasian Grassland[J]. Journal of Xihua University (Philosophy & Social Sciences) , 2018, 37(6): 21-31. DOI: 10.19642/j.issn.1672-8505.2018.06.004
Citation: FENG Si-wo, WANG Yu-hong. The Original Image of "7", "十" and "卐":The Language Analysis of Swan Rock Paintings on Eurasian Grassland[J]. Journal of Xihua University (Philosophy & Social Sciences) , 2018, 37(6): 21-31. DOI: 10.19642/j.issn.1672-8505.2018.06.004

“7”“十”“卐”的原始物像:欧亚草原天鹅岩画图像语言解析

The Original Image of "7", "十" and "卐":The Language Analysis of Swan Rock Paintings on Eurasian Grassland

  • 摘要: 欧亚草原天鹅岩画图像语言内部存在的四种基本语法规则决定了它的三个特征, 即具有两种基本类型的天鹅形象、数字“7”形原始物像和自由形式。欧亚草原天鹅岩画的主体是合体岩画。其意义是在与其他图形的关系中产生的。而在与其他图形的搭配组合中, 天鹅图像一方面展示了天鹅形象所具有的一些显著特征, 如“7”形、呈组合排列、搭配的多样化等前景化效果; 另一方面显现了它所蕴含的意义—与天鹅座、北斗星相联系的渡亡灵升天的神鸟。蕴涵此意义的天鹅图像又是符号“十”“卐”的原始物像。大量神话传说、天文考古、宗教、民族和民俗文献资料以及以岩画为核心的考古发现都证明天鹅崇拜是欧亚草原阿尔泰语系诸民族历史悠久的信仰, 承载它的活化石就是天鹅岩画。

     

    Abstract: The four basic grammatical rules existing in the image language of the Eurasian grassland swan rock painting determine its three characteristics, namely two basic types of swan image, digital "7" original image and free form.The main body of the Eurasian grassland swan rock painting is a combination rock painting, whose meaning is generated in relation to other graphics.In combination with other graphics, the swan image shows some salient features of the swan image, such as the "7" shape, the combination arrangement, the collocation diversification and other foreground effects; on the other hand, it shows the meaning—the sacred bird that is connected with the Cygnus and the Big Dipper.The swan image with this meaning is the original image of the symbol "十" and "卐".A large number of myths and legends, astronomical archaeology, religious, ethnic and folklore literatures, and archaeological discoveries centered on rock paintings have proved that swan worship is a long-standing belief in the Altai languages of the Eurasian grassland, and the swan rock painting is the living fossil carrying the belief.

     

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