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张思齐. 《将军》的叙事结构与芥川龙之介的反侵略意识[J]. 西华大学学报(哲学社会科学版), 2015, 34(2): 1-9.
引用本文: 张思齐. 《将军》的叙事结构与芥川龙之介的反侵略意识[J]. 西华大学学报(哲学社会科学版), 2015, 34(2): 1-9.
ZHANG Si-qi. The Narrative Structure of The General and Akutagawa Ryuunosuke's Anti-Aggression Consciousness[J]. Journal of Xihua University (Philosophy & Social Sciences) , 2015, 34(2): 1-9.
Citation: ZHANG Si-qi. The Narrative Structure of The General and Akutagawa Ryuunosuke's Anti-Aggression Consciousness[J]. Journal of Xihua University (Philosophy & Social Sciences) , 2015, 34(2): 1-9.

《将军》的叙事结构与芥川龙之介的反侵略意识

The Narrative Structure of The General and Akutagawa Ryuunosuke's Anti-Aggression Consciousness

  • 摘要: 芥川龙之介的小说《将军》属于具有反侵略意识的战争小说,它是由ABCD四个文本组成的故事组。《将军》本身无文字,它是一个总体性的效果文本。芥川龙之介所著《中国游记》一书可视为B文本的延伸,它集中谴责了帝国主义国家对中国的侵略。在这四个文本中有一个无处不在的行动素N将军。《将军》的主题思想是,通过描写N将军对日本部队的巧妙指导,表现了日本士兵的愚忠,展示了中国侦察兵的牺牲精神,暴露了日本军营文化的粗俗,谴责了日本青少年接受愚忠思想时的不自觉,从而把忠实执行军国主义路线的日本军人钉在了历史的耻辱柱上。欣赏小说那近乎荒诞的描写时,读者的思想也自然发生倾斜,从而认识到军国主义的危害。作品的思想倾向暗传于叙事之中,这是芥川龙之介叙事艺术的精要所在。

     

    Abstract: The General by Akutagawa Ryuunosuke belongs to the fiction which is possessed of anti-aggression consciousness, and it is a cycle of stories correspondent to the four texts marked with A, B, C and D in this thesis. There are no words what so ever in The General proper, so we may call it a general text of effect. Travels in China, a book written by the same writer, may be regarded as the prolongation of text B in that imperialist countries' aggregation against China is condemned in a concentrative way in this book. In the four texts mentioned above there is general N, who is an omnipresent agent. The theme of The General is like this. By describing general N's subtle direction to his troops, the foolish loyalty of Japanese soldiers is represented, the sacrificial spirit of Chinese scouts is exhibited, the vulgarity of Japanese barracks' culture is exposed, and the unconsciousness of Japanese young fellows who accept the foolish loyalty is condemned. Thus those Japanese servicemen who faithfully carry out the line of militarism are nailed historically to the pillory. When one reads the almost absurd description of The General, his thoughts may naturally incline towards knowing the danger and harm of militarism. The ideological tendency of a work is conveyed silently in the narration, as is the essentials of Akutagawa Ryuunosuke's narrative art.

     

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